Truth in Keats Ode on a Grecian Urn and Cummings since feeling is fir

Truth in Keats Ode on a classical Urn and Cummings since sensation is firstTruth remains a mysterious essential desire out, created, and destroyed in countless metaphysical arguments with time. Whether argued as beingness absolute or relative, universal or personal, no thought is perceive or conceived without an assessment of its truth. In John Keats Ode on a Grecian Urn and E.E. Cummings since feeling is first the concern is not specifically the truth of a thought, but rather, the general nature of truth the foundation which gives truth is the true . Both poets replace investigation with decision, and that which would be argumentation in the hands of philosophers becomes example and sentiment in their poems. Each poets examples create a tintinnabulation within the reader, engineered to engender belief or provoke thought. Employing images of unconsummated actions on an ancient urn carved with scenes from life, Keats suggests that Beauty is truth, truth beauty Cummings, on th e new(prenominal) hand, offers emotion as the foundation of truth, and supports living life fully through diction, theme-suggestive syntax, and images of accomplished action. Cummings since feeling is first compares the beauty of emotion and the inadequacy of mental analysis. In line three, attention to syntax, synonymous with literary construction and order, ruins activated spontaneity, symbolized by a kiss. Wholly to be a fool period Spring is in the world ignores social convention in pursuance pleasure while fool and Spring complement each other and suggest the blossoming of love. Line six, my blood approves, focuses on the physical square off of life and evades the hackneyed connotative baggage that arrives with the word heart. Cummings hence swear... ...ing reality and easily equated to the story told by the Sylvan historiographer. Thus, the urn as historian provides the truth spoken of in the final line. Literally, the truth of the urn (its representation of life) i s its beauty. The derived equation of truth and beauty allows the concluding statement Beauty is truth, truth beauty. through and through similar rhetorical features, since feeling is first celebrates love and extols the virtue of intuitive, spontaneous emotion. Cummings use of sensual imagery discounts methodical analysis and offers emotion as truth. Both poems arrive at seperate conclusions and reflect the diversity of perspectives regarding the nature of truth. whole kit Cited Brooks, Cleanth. The Well Wrought Urn. New York Harcourt Brace Johanovich, 1975. Prentice Hall literary works The American Experience. Englewood Cliffs Prentice Hall, 1991.