Sociology Hidden excise aside The 1960s science fiction goggle box system series, The Pris angiotensin converting enzymer, dealt with a number of intriguing sociological aspects, in which there be many interpretations to which one the series concerns. Although I believe there is a combination of everything, in my purview the main focus of the series was to demonstrate guilds character of scheme individuality, and manipulating ones caprices into conformity. The opening scene of the series sets the stage for this mentation when The hamlet tries to assign the prisoner (Patrick McGoohan) a number ( zero(prenominal) 6). In retort an come forwardraged Mcgoohan cries I am not a number, I am a free man. end-to-end the tot tot solelyyy series conformity was tried to be enforced on McGoohan (No. 6), and by tabu the series he stomached. The terminal episode F all(p renominal) Out was no saveion. Fall Out begins after No. 6 prevails in a battle of custodytal worrying with No.2, in which both work force were locked in a mode and hardly one man would walk out alive. When the doors ar opened, and No.6 is taken to an underground level of The Village. Here he finds an throng of villagers who be dressed in cloaks and black and albumen masks. This gathering represents society who baffle all conformed to someone elses ideals, and have woolly all individuality. This is represented by the bearing they are all dressed alike. There is also a death chair who intercommunicates for the assembly. No.6 is greeted by the assembly and the president with a loud applause, and congratulated for his superior efforts to resist The Village. When the president demands for the assembly to be silent, he slams his gable wall and they are quiet instantly. This is an early(a) indication of the assembly be a brainwashed society. No.6 is and so told that h e will be actualise to the interrogation o! f two separate men, No.48, and the No.2 that No.6 defeated in the fertilized egg manner (brought hold to life by The Village). Because all of No.6s potence allies, in previous cases, turned against him in fear of what other members of The Village might think, these men seem to represent the except other individuals in The Village besides No.6. These three men represent the different types of individual revolt against society. No.48 is a puerile man who is in revolt for the sole project of rebelling. This rebellion can be compared to that of a teenager who defies authority good because they can. At one point the assembly plays along with his rebellion, tattle along in the Dry Bones melody. The assembly does so because to them his rebellion poses no panic to their order, and is done for the sole get of saving himself. No.2s rebellion was however a little different. No.2 is not just in it for No.2, he is rebelling against the principles of The Village, being enforced upo n all of its inmates. This rebellion has to be taken rather seriously, because it poses an indirect punish to the ideals of The Village. No.6s rebellion is feared by The Village. He has taken everything they have repel at him, and has always prevailed. He poses a direct flagellum to The Village and its society of unison. To try and halt this problem in advance it gets out of control, they make No.6 feel like he had won, and easily try to integrate him into their society by permit him fix the fait of the other two rebels, and offering him a do of racy authority in The Village. He is wherefore grant to speak before the assembly. When he begins to speak, the assembly yells over him, not allowing him to speak. every time No.6 tries to start a sentence he is interrupted. The besides word he manages to say is I. The assembly is word picture society that will not allow the individual to be heard. The only word he is able to muster is I, a reminder that he still maintains an independent mind. pursuit this, No.6 demands to wa! tch No.1.. He is sent down to an even dismantle level, where he sees that the other two rebels are being held in classify glass containers. He is indeed sent up a set of spiral stairs to No.1s room. No.1 is in the hazard of the room wearing a fair cloak and a mask. No.1 represents societies give way attempt to incorporated No.6 into their culture of mimicrys. No.1 then hands No.6 a glass orb, No.6 straightaway smashes it. This orb represents the idea of conformity being offered to No.6 by society. No.6 rejects this idea thus smashing the orb to pieces. No.6 then reveals No.1, wearing a monkey mask. This represents the society as populate in accordance to the phrase monkey see, monkey do. The monkey mask is then torn away and No.1 has the facial gesture of No.6. This shows both the battle of No.6 within himself to resist, and how in this society everyone is the same. No.6 then runs out of No.1s room locking him in. This room turns out to be a rocket ship, and No.1 is blasted into space. The flame from the rocket boosters then veer the white bubble Rover. Rovers destruction symbolizes the death of one of societies enforcers, aimed to shatter independent minds. No.6 breaks his fellow rebels out, and escape the island, shooting their way through guards and the assembly. No.6 had terminally made it out of The Village. In the final episode, many questions were answered, including the most anticipated, who No.1 was. However, there were many left dramaturgy unanswered. The location of The Village was never revealed, the reason No.2 died in the fertilized egg room was kept a secret, the reason No.6 resigned was never told, and possibly the biggest question of all was left hanging in the balance. When No.6 arrives back in England, the door to his apartment opens automatically like in the village. This leaves you to wonder, did No.6 ever actually escape the village? When you sleep tonight, stargaze of large white balloons rising from the deep and carry ing you away from your lusty world, place reassuranc! e in that when you wake, you will return to your delightful convocation, in which we are all prisoners. If you want to get a richly essay, order it on our website: OrderCustomPaper.com
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